Download Blue Film

Running time 105 minutes Country United States Language English Budget $3,000 Blue Movie (stylized as blue movie; also known as Fuck ) is a 1969 American film written, produced, and directed. Blue Movie, the first depicting explicit to receive in the, is a seminal film in the (1969–1984) and helped inaugurate the ' phenomenon in modern American culture, and later, in many other countries throughout the world. According to Warhol, Blue Movie was a major influence in the making of, an internationally controversial erotic drama film, starring, and released a few years after Blue Movie was made. And, playing themselves, starred in Blue Movie. In 1970,, the second adult erotic film, after Blue Movie, depicting explicit sex that received a wide theatrical release in the United States, was shown. Later, other adult films, such as,, and were released, continuing the begun with Blue Movie.

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In 1973, the phenomenon of porn being publicly discussed by celebrities (like and ) and taken seriously by film critics (like ). Began, for the first time, in modern American culture.

In 1976,, based on the play by (and its derivative, ), and directed by, was released theatrically and is considered, by award-winning author, the 'crown jewel' of the. Blue Movie was publicly screened in New York City in 2005, for the first time in more than 30 years.

Also in New York City, but more recently, in 2016, the film was shown at the in. Contents • • • • • • • • • • • Synopsis [ ] The film includes dialogue about the, various mundane tasks and, as well,, during a blissful afternoon in a New York City apartment (owned by art critic David Bourdon). The film was presented in the press as, 'a film about the Vietnam War and what we can do about it.'

Warhol added, 'the movie is about. Love, not destruction.' Warhol explained that the lack of a plot in Blue Movie was intentional: “ Scripts bore me.

It's much more exciting not to know what's going to happen. I don't think that plot is important. If you see a movie of two people talking, you can watch it over and over again without being bored. You get involved – you miss things – you come back to it. But you can't see the same movie over again if it has a plot because you already know the ending. Everyone is rich. Everyone is interesting.

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Years ago, people used to sit looking out of their windows at the street. Or on a park bench. They would stay for hours without being bored although nothing much was going on. This is my favorite theme in movie making – just watching something happening for two hours or so.

I still think it's nice to care about people. And are uncaring.

We're pop people. We took a tour of in Los Angeles and, inside and outside the place, it was very difficult to tell what was real.

They're not-real people trying to say something. And we're real people not trying to say anything. I just like everybody and I believe in everything. ” —, cited by in his book,.

According to Viva: “The Warhol films were about sexual disappointment and frustration: the way Andy saw the world, the way the world is, and the way nine-tenths of the population sees it, yet pretends they don’t.” Cast [ ] • as Himself • as Herself Production [ ] Andy Warhol described making Blue Movie as follows: 'I'd always wanted to do a movie that was pure fucking, nothing else, the way [my film] had been just eating and [my film] had been just sleeping. So in October '68 I shot a movie of Viva having sex with Louis Waldon. I called it just Fuck.'

The film itself acquired a blue/green tint because Warhol used the wrong kind of film during production. He used film meant for filming night-scenes, and the sun coming through the apartment window turned the film blue. According to, American filmmaker and scholar, who attended the first screening of the film at (,, ) in the Spring of 1969: “ Why [ Blue Movie was blue]? Well, Warhol used for his movies, and if you were shooting color film in the 1960s and 70s, two of the most popular choices for film stock were Eastman Reversal 7241, balanced for use outdoors; and Eastman Reversal 7242, balanced for tungsten (indoor) lighting.

If you shot Eastman 7242 outside without using a, the image would become completely blue; and that’s what was happening here. The only light used was the daylight coming through the window, thus making the final image very, very blue indeed. When the film ended. I heard Warhol asking someone plaintively “why is the whole second reel all blue?,” so I told him about 7242, 7241, and the need to use the proper filter to balance the color when you used indoor stock outdoors, or vice versa. “Ohhhhhhh” said Andy. “Well, I guess we should call it Blue Movie.”.